Telemaco Signorini. Catalogo generale ragionato delle opere
Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.
cover price: € 240.00
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Books included in the offer:
Telemaco Signorini. Catalogo generale ragionato delle opere
Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.
FREE (cover price: € 240.00)
Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere
Torino, 2006; 2 vols., bound in a case, pp. 576, 862 b/w ill., 117 col. plates, cm 25x34.
(Varia).
FREE (cover price: € 250.00)
Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere
Torino, 2006; 2 vols., bound in a case, pp. 608, b/w ill., 125 col. ill., 125 col. plates, cm 25x35.
(Archivi dell'Ottocento).
FREE (cover price: € 250.00)
Sam Taylor-Wood
Germano Celant
Progetto Prada Arte
Translation by Shore M.
Milano, Fondazione Prada, 19 novembre 1998 - 6 gennaio 1999.
Italian and English Text.
Milano, 1998; paperback, pp. 330, col. ill., cm 15x24.
ISBN: 88-87029-00-8 - EAN13: 9788887029000
Subject: Essays (Art or Architecture),Photography
Period: 1960- Contemporary Period
Languages:
Weight: 0.94 kg
The presentation, designed by Sam Taylor-Wood expressly for the exhibition spaces of the Fondazione Prada, includes, the premier showing of a recent video, a series of five new large format photographic works and an amazing video installation.
The video ?Histeria? (1997,8?) is dedicated to a female figure who is experiencing a violent emotional state, which the absence of sound and the slowmotion of the film make impossible to distinguish as uncontrollable laughter or torrential sobbing: two conditions which represent, according to the artist, alterations of the soul, ritualized emotions which tend to overlap, expressing the same pain and lack of control.
The new series, ?Soliloquy? (1998), is represented by five large format photograpich works, casting the central figure in the upper part of the representation, with a sequence of smaller images located below. The title harks back to the soliloquy of the Shakespearean actor, who during the more complex scenes, addresses the public to explain what is happening within his soul. There is a more immediate reference in terms of iconography to 14th and 15th century painting, with the visual separation of the cycles of celestial affairs in the upper part of the rapresentation, and the earthly events below in the predella.









