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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Marc Quinn

Progetto Prada Arte

Milano, Fondazione Prada, May 5 - June 10, 2000.
Italian and English Text.
Milano, 2000; paperback, pp. 351, col. ill., col. plates, cm 24x31.

ISBN: 88-87029-14-8 - EAN13: 9788887029147

Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 1.68 kg


Marc Quinn (London, 1964) is one of the most interesting of the Young British Artists, whose main tenet he particularly agrees with: the need to bring real life into art and not to just make art for oneself. After graduating in art history from Cambridge University, in 1984 Quinn started to produce sculptures in London, where, in 1991, he exhibited a work that gained him international notoriety: Self, a reflection on mortality made with the artist's blood. Quinn, who has participated in various major exhibitions - for instance, "Sensation" at the Royal Academy of Arts in London (1997) - became famous for his use of such unorthodox materials as bread, blood, excrement, silicon, ice and, more recently, plants and flowers. Beginning with an analysis of the physical nature of the body and the mysteries associated with this, he addresses the fundamental themes of our existence.
As he puts it: "I am dealing thus with the fundamental mysteries of existence - says Quinn - the enigma of birth and death. It concerns us all in a direct way. And since there are no answers, our questions must always return to this theme."

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