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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Marc Quinn

Progetto Prada Arte

Milano, Fondazione Prada, May 5 - June 10, 2000.
Italian and English Text.
Milano, 2000; paperback, pp. 351, col. ill., col. plates, cm 24x31.

ISBN: 88-87029-14-8 - EAN13: 9788887029147

Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 1.68 kg


Marc Quinn (London, 1964) is one of the most interesting of the Young British Artists, whose main tenet he particularly agrees with: the need to bring real life into art and not to just make art for oneself. After graduating in art history from Cambridge University, in 1984 Quinn started to produce sculptures in London, where, in 1991, he exhibited a work that gained him international notoriety: Self, a reflection on mortality made with the artist's blood. Quinn, who has participated in various major exhibitions - for instance, "Sensation" at the Royal Academy of Arts in London (1997) - became famous for his use of such unorthodox materials as bread, blood, excrement, silicon, ice and, more recently, plants and flowers. Beginning with an analysis of the physical nature of the body and the mysteries associated with this, he addresses the fundamental themes of our existence.
As he puts it: "I am dealing thus with the fundamental mysteries of existence - says Quinn - the enigma of birth and death. It concerns us all in a direct way. And since there are no answers, our questions must always return to this theme."

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