Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Fuksas object
Fuksas Massimiliano. Mandrelli Doriana
Actar Editorial
Barcelona, 2014; bound, pp. 360, col. ill., col. plates, cm 21x30.
ISBN: 1-940291-11-9 - EAN13: 9781940291116
Subject: Architects and their Practices,Design
Languages:
Weight: 1.58 kg
"I would like to start by observing how the design made in the Fuksas office takes its character from combining and contrasting two distinct types of poetic expression: abstract and narrative in Doriana Mandrelli's approach, and intuitive and textural in Massimiliano's. Brought into contact, these two all-encompassing means of seduction produce a world of objects that are autonomous and original, when compared to the standard procedure ingrained in the logic of Italian design.
Mandrelli and Fuksas's design originates in the collision and encounter between two forces that have entered the design profession from experiences far removed from design, and it is precisely this procedural unconventionality that lends the objects their character." Alessandro Mendini (text from the book)










