Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
'The poem of the understanding is philosophy': Novalis and the art of self-criticism
Fernando Manuel Ferreira Silva
Mimesis
English Text.
Sesto San Giovanni, 2025; paperback, pp. 300, cm 17x24.
ISBN: 88-6977-396-5 - EAN13: 9788869773969
Languages:
Weight: 0 kg
The current volume attempts to determine how Novalis solves his spiritual conflict under the guise of a theory of opposites, in light of his reading of the same problem in Reinhold and Fichte. Novalis’ conclusion is that of a hypothesis of a reciprocal dynamism, a living and cumulative alternation between opposites, which shall originate the I and inaugurate its reflexive self-understanding; namely, the hypothesis of uniting feeling and reflection, essential components of the I as a being of opposites, under the form of a union in disunion, wherein a real impossibility of uniting the opposites and an ideal possibility of doing so simultaneously coexist; a proposition which will lead Novalis to part from his teachers, and involves a profound reflection on the need to reassess the concepts of I, of identity and thought itself – a genuine critique of the self – which gradually carves out the image of Novalis as an autonomous and original thinker within the scope of German Idealism.











