Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
|
Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Fra Angelico to Leonardo. Italian Renaissance Drawings. [Clothbound edition]
Faietti Marzia - Chapman Hugo
British Museum Press
London, The British Museum, 22 April - 25 July 2010.
English Text.
London, 2010; clothbound, pp. 344, 330 col. ill., cm 24x28.
Other editions available: Paperback edition (ISBN: 9780714126678)
ISBN: 0-7141-2668-3 - EAN13: 9780714126685
Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1400-1800 (XV-XVIII) Renaissance
Places: Italy
Languages:
Weight: 2.15 kg
A unique collaboration between the Uffizi in Florence and the British Museum, the display charts the increasing importance of drawing during this period, featuring works by Leonardo da Vinci, Fra Angelico, Jacopo and Gentile Bellini, Botticelli, Carpaccio, Filippo Lippi, Mantegna, Michelangelo, Verrocchio and Titian.
In 15th-century Italy there was a fundamental shift in style and artistic thinking in the use of preparatory drawings. What began as a means of preserving artistic ideas became the ideal way to perfect more naturalistic forms and perspective - a new approach by painters, sculptors and architects.
Infrared and other technology used in conservation research provide fresh insights into how drawing allowed painters to experiment and explore with a freedom not always reflected in their finished works. Examples in the exhibition show the trend towards depiction of movement and expression of emotion, often inspired by classical antiquity.
This exhibition is a unique opportunity to discover the evolution of drawing which laid the foundations of the High Renaissance style of Michelangelo and Raphael.









