Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
Fra Angelico to Leonardo. Italian Renaissance Drawings. [Clothbound edition]
Faietti Marzia - Chapman Hugo
British Museum Press
London, The British Museum, 22 April - 25 July 2010.
English Text.
London, 2010; clothbound, pp. 344, 330 col. ill., cm 24x28.
Other editions available: Paperback edition (ISBN: 9780714126678)
ISBN: 0-7141-2668-3 - EAN13: 9780714126685
Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1400-1800 (XV-XVIII) Renaissance
Places: Italy
Languages:
Weight: 2.15 kg
A unique collaboration between the Uffizi in Florence and the British Museum, the display charts the increasing importance of drawing during this period, featuring works by Leonardo da Vinci, Fra Angelico, Jacopo and Gentile Bellini, Botticelli, Carpaccio, Filippo Lippi, Mantegna, Michelangelo, Verrocchio and Titian.
In 15th-century Italy there was a fundamental shift in style and artistic thinking in the use of preparatory drawings. What began as a means of preserving artistic ideas became the ideal way to perfect more naturalistic forms and perspective - a new approach by painters, sculptors and architects.
Infrared and other technology used in conservation research provide fresh insights into how drawing allowed painters to experiment and explore with a freedom not always reflected in their finished works. Examples in the exhibition show the trend towards depiction of movement and expression of emotion, often inspired by classical antiquity.
This exhibition is a unique opportunity to discover the evolution of drawing which laid the foundations of the High Renaissance style of Michelangelo and Raphael.









