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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Marc Chagall. Il Violinista sul Tetto: Piccoli Pensieri Su Chagall e la Cultura Ebraica. Fiddler On the Roof: a Few Reflections On Chagall and Hebraic Culture

Marc Chagall. Il Violinista sul Tetto: Piccoli Pensieri Su Chagall e la Cultura Ebraica. Fiddler On the Roof: a Few Reflections On Chagall and Hebraic Culture

Aiòn Edizioni

Italian and English Text.
Firenze, 2014; paperback, pp. 96, 16 col. plates, cm 12,5x17.
(Critica. 8).

series: Critica

ISBN: 88-98262-16-7 - EAN13: 9788898262168

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1800-1960 (XIX-XX) Modern Period

Extra: Impressionism/Expressionism

Languages: english, italian text   english, italian text  

Weight: 0.16 kg


What relationship is there between Marc Chagall's painting and Hebraic culture? This is a simple, but crucial question; and it is very complicated, almost impossible to answer. Chagall's entire work seems to be so deeply bound to the religious and cultural thought of Hebraism as to require almost a "cryptic analysis" for its deciphering. But Chagall's greatness and his work seem to be so connected to Hebraic culture as to be incomprehensible without an exact knowledge of these roots of his - or is it possible also for those who are unaware of them to understand his greatness?
Marco Fagioli

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