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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 144.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 56.00)

Caravaggio. La Cappella Contarelli

chiudi

Le Nuvole. The Clouds

Edizioni Charta

Translation by Evangelista S.
Italian and English Text.
Milano, 2006; paperback, pp. 52, 12 b/w ill., cm 24x16,5.

ISBN: 88-8158-594-4 - EAN13: 9788881585946

Subject: Collections,Photography

Period: 1960- Contemporary Period

Places: No Place

Languages:  english, italian text   english, italian text  

Weight: 0.3 kg


Many artists, philosophers, writers and photographers have dealt with clouds. Among those works is Socrates by Aristophanes, who tries to convince a young man that clouds form shapes of animals in order to play a trick on humans, and who explains that thunders are the powerful flatulencies of the goddesses that get rid of the air when they feel swollen. How many people know that John Ruskin, a famous critic of English art, deal with clouds in his curious critical essay The Storm-Cloud of the Nineteenth Century, which gave rise to a debate that lasted for years? The clouds-indescribable "objects" of the Euclidean geometry, dreams and desires in a continuous occasional and ungovernable expansion, living in a chaotic order and in a perennial and unforeseeable metamorphosis-have grabbed the attention of two photographers with a perfect balance between realism and abstraction.

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