Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Nathalie Djurberg. Turn into me
Celant Germano
Progetto Prada Arte
Milano, Fondazione Prada, April 19 - June 1, 2008.
Translation by Sartarelli S.
With DVD.
English Text.
Milano, 2008; paperback, pp. 220, b/w and col. ill., cm 21x28.
ISBN: 88-87029-41-5 - EAN13: 9788887029413
Subject: Essays (Art or Architecture),Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: Europe
Extra: New Media
Languages:
Weight: 0.7 kg
Next to the sixteenth-century Geyonghui Palace in Seoul, the rotating building designed by Rem Koolhaas/OMA is a shape-shifting steel structure entirely covered with a smooth elastic membrane that changes according to the hosted event.
In the interior of the Transformer, now covered with a surface of white felt that ripples and twists to form a highly baroque, sensual wrapping, the artist has created an installation articulated over the floors and walls through the use of big and small objects as well as projections that mute the whiteness and transform the architectural environment into a cave of the unconscious and oneiric. To emphasize the dramatic nature of the interior space of the Transformer, Djurberg has chosen to project, at maximum size, two other videos which, in a symbiotic interaction with the white, almost flesh-like covering of the inside environment, expand the disturbing landscape of her vision.
The exhibition project includes some works previously exhibited in 2008 for "Turn into Me", a solo show by the artist held at the Fondazione Prada in Milan.










