Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Laurie Anderson. "Dal Vivo"
Celant Germano
Progetto Prada Arte
Milano, Fondazione Prada, June 12 - July 12, 1998.
Catalogo della mostra-progetto "Dal Vivo". Milano, Fondazione Prada, June 12 - July 12, 1998.
Italian and English Text.
Milano, 1998; paperback, pp. 327, b/w and col. ill., cm 15x24.
ISBN: 88-87029-07-5 - EAN13: 9788887029079
Subject: Monographs (Sculpture and Decorative Arts),Music
Period: 1960- Contemporary Period
Languages:
Weight: 0.94 kg
Thanks to the collaboration of San Vittore Prison, Laurie Anderson (Chicago, 1947) ? performance artist and singer - will meet Santino Stefanini (Milano, 1952) who is currently serving a thirty year prison sentence. Stefanini has accepted the role of protagonist in this event because he feels that each demonstration of prison reality to the external collective, even in the form of a virtual ?escape? contributes to improving the prison environment and making incarceration more bearable











