De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Laurie Anderson. "Dal Vivo"
Celant Germano
Progetto Prada Arte
Milano, Fondazione Prada, June 12 - July 12, 1998.
Catalogo della mostra-progetto "Dal Vivo". Milano, Fondazione Prada, June 12 - July 12, 1998.
Italian and English Text.
Milano, 1998; paperback, pp. 327, b/w and col. ill., cm 15x24.
ISBN: 88-87029-07-5 - EAN13: 9788887029079
Subject: Monographs (Sculpture and Decorative Arts),Music
Period: 1960- Contemporary Period
Languages:
Weight: 0.94 kg
Thanks to the collaboration of San Vittore Prison, Laurie Anderson (Chicago, 1947) ? performance artist and singer - will meet Santino Stefanini (Milano, 1952) who is currently serving a thirty year prison sentence. Stefanini has accepted the role of protagonist in this event because he feels that each demonstration of prison reality to the external collective, even in the form of a virtual ?escape? contributes to improving the prison environment and making incarceration more bearable










