Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Laurie Anderson. "Dal Vivo"
Celant Germano
Progetto Prada Arte
Milano, Fondazione Prada, June 12 - July 12, 1998.
Catalogo della mostra-progetto "Dal Vivo". Milano, Fondazione Prada, June 12 - July 12, 1998.
Italian and English Text.
Milano, 1998; paperback, pp. 327, b/w and col. ill., cm 15x24.
ISBN: 88-87029-07-5 - EAN13: 9788887029079
Subject: Monographs (Sculpture and Decorative Arts),Music
Period: 1960- Contemporary Period
Languages:
Weight: 0.94 kg
Thanks to the collaboration of San Vittore Prison, Laurie Anderson (Chicago, 1947) ? performance artist and singer - will meet Santino Stefanini (Milano, 1952) who is currently serving a thirty year prison sentence. Stefanini has accepted the role of protagonist in this event because he feels that each demonstration of prison reality to the external collective, even in the form of a virtual ?escape? contributes to improving the prison environment and making incarceration more bearable










