Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Michael Heizer. Negative - Positive +
Celant Germano
Progetto Prada Arte
Milano, Fondazione Prada, 15 dicembre 1996 - 31 gennaio 1997.
Seconda edizione.
Italian and English Text.
Milano, 1997; paperback, pp. 558, b/w and col. ill., cm 24x30.
ISBN: 88-87029-01-6 - EAN13: 9788887029017
Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Painting,Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 3.21 kg
Heizer, who is known for his immense works made in the American deserts, has not reduced in the scale in which he usually works. Creating installations that completely fill the large Foundation exhibition halls.
Hanging on the walls at the entrance of the exhibition are two steel paintings that deal with the relationship between positive and negative, as in the first shaped canvases of 1966-67. Inside the two frames, a square and a circle, the artist has enclosed empty space, making in this way void (or negative) an integral part of these works.
Following the same concept of positive and negative Heizer has created Negative Line, for the large rectangular hall, a work similar to Rift, which was made in 1968 in Nevada desert. The piece consists of a 30 cm deep steel line embedded in the floor forming zig-zag path around the columns in the hall.
Installed in the second large exhibition hall are Stele 1 and Stele 2, monumental blocks of diorite granite weighing respectively 16 and 18 tons. The rocks were taken by the artist from a California quarry to his workshop in Nevada. There, the surface of the rock was engraved with abstract patterns. The rocks were then caged in massive metal frames and transported over 5000 km from Nevada to New Jersey, where they were packed in preparation for the ocean crossing to the Genova port, after which they underwent the last leg of their journey to the Prada Foundation.










