LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
|
Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Aldo Rossi. Graphic Works. Etchings, Lithographs, Silkscreen, Prints
Celant Germano - Huijts Stijn
Silvana Editoriale
Maastricht, Bonnefantenmuseum, June 26 - November 1, 2015.
Maastricht, Bonnefantenmuseum, 26 giugno - 1 novembre 2015.
English Text.
Cinisello Balsamo, 2015; paperback, pp. 256, 300 b/w and col. ill., cm 23x28.
(Il Disegno).
series: Il Disegno
ISBN: 88-366-3084-7 - EAN13: 9788836630844
Subject: Architects and their Practices,Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages: 
Weight: 0.36 kg
The book will accompany a traveling exhibition having a first venue at Bonnefanten Museum in Maastricht and then going to Berlin, Lausanne and Rome.
Few architects were as intensely occupied with making architecture itself the subject as Aldo Rossi (1932-1997).
Drawing was second nature to him, as shown by his unending stream of drawings, which were often very poetic, colourful and humorous, and always recognisable in a continual interplay of visual analogies.
The Bonnefantenmuseum is presenting a touring exhibition of the graphic oeuvre of architect Aldo Rossi, in collaboration with international partners like the Fondazione Aldo Rossi, The National Institute for Graphic Art in Rome and the Polytechnic.
