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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Cosimo II e le Arti di Boboli. Committenza, Iconografia e Scultura

Cosimo II e le Arti di Boboli. Committenza, Iconografia e Scultura

Casa Editrice Leo S. Olschki

Firenze, 2008; paperback, pp. 226, ill., 164 b/w plates, cm 17x24.
(Giardini e Paesaggio. 23. Series directed by Luigi Zangheri and Lucia Tongiorgi Tomasi).

series: Giardini e Paesaggio

ISBN: 88-222-5806-1 - EAN13: 9788822258069

Subject: Gardens and Parks,Sculpture

Places: Florence,Tuscany

Languages: italian text  

Weight: 0.74 kg


The discovery of an unpublished documentary corpus concerning the Boboli Gardens has enabled this study to almost entirely reconstruct the events of the sculpture workshop, to identify the artists, and to facilitate the collocation of the works within the original iconographic project. Numerous works were recovered including many inspired by rural scenes and the statue of Venus in the "Fontana dell'isola", all previously considered lost. Further details have emerged from the complex personality of Cosimo II and from the social status of sculptors in Florence at that time.

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