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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Liberty & Co. in the Fifties and Sixties. A Taste of Design

Antique Collectors' Club

English Text.
Woodbridge Suffolk, 2008; paperback, pp. 144, col. ill., cm 23x28.

ISBN: 1-85149-572-X - EAN13: 9781851495726

Subject: Design,Textiles (Tapestries, Carpets, Embroyderies)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Extra: Art Nouveau and Liberty

Languages:  english text  

Weight: 1.03 kg


Filled with images from the )Liberty( archive, many of them never published before. This London style was a design institution in the 50s and 60s, and was used extensively by Jean Muir, Biba, Foale & Tuffin and Yves Saint Laurent.
Over the years since its inception in 1875 as the Oriental Emporium, Liberty's has both been at the forefront of fashion and the decorative arts and has sat comfortably riding on its waves. Its history is at the heart of its image to the outside world. In the fifties, Liberty's tried to subvert this image, but subsequently embraced it wholeheartedly in the following decade. Liberty's beginnings are well-known and most historians of the decorative arts will agree that the company had a significant impact on design in the early twentieth century. However, through the years Liberty & Co. took many forms.History, far from being irrelevant nostalgia, offers us a chance to learn from our mistakes and, indeed, successes. Perhaps now, as, emerging from a difficult recent period, this grand company looks confidently to the future, it is a good time to look back to the Liberty of the fifties and sixties: a less well-recognised moment in Liberty's history, but perhaps no less significant. The 1950s were a frugal time and any retailer who wholeheartedly promoted modern design was taking a risk. In truth, Liberty & Co. probably played it safe, running its modern products alongside the more traditional ones, so as not to scare away longstanding customers. It is perhaps for this reason that Liberty & Co. is not so prominent in people's memories as a 'modern' store in the 1950s. In a way this was a period that prepared the business for its flowering in the 1960s. Almost overnight, the emporium of traditional style found itself not just at one of the best spots in London, but at the very epicentre of the world of fashion: Carnaby Street in the sixties.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci