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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Sopravvissuti. Ritratti, Storia, Memoria

Fratelli Alinari IDEA s.p.a.

Firenze, 2004; paperback, pp. 96, 73 col. ill., cm 25x22.
(La Fotografia Racconta).

series: La Fotografia Racconta

ISBN: 88-7292-459-6 - EAN13: 9788872924594

Subject: Historical Essays,Photography

Period: No Period

Places: No Place

Languages:  italian text  

Weight: 0.71 kg


The photographic search from which this book is born is begun in March 1998 and is finished just some week before its publication: years of searches, waiting, refusals and smiles. I approached to the complex universe of the deportation nearly for case, through the diary of a survivor. Then other readings, other testimonies, other history have come. Intimate and choral memories. But also eternal and ephemeral if destined to remain just in the mind of who read written pages.
To photograph has meant to try to give to their words eyes, lips, faces. Because behind these faces there are personal tragedies but also great course. Behind these faces many traces can be noticed: the collective history of the Italian deportation, the personal vicissitude of who has been deported and the direct knowledge of the portrayed persons. Primo Levi wrote: "I am a common man with a good memory that is fell in a whirl": this could be the definition of these persons and their experience of small-big witnesses who tell extraordinary things.
In these images there is not completeness but just the attempt to help to tell the lives of men and women who are exceptional because they are normal, like the hope to continue what begun with their testimonies.

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