Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
Geometria figurativa. Figurative Geometry
Bob Nickas
Silvana Editoriale
Reggio Emilia, Collezione Maramotti, October 16, 2016 - April 2, 2017.
Translation by Bergamin A.
Italian and English Text.
Cinisello Balsamo, 2017; paperback, pp. 128, 120 col. ill., cm 30x25,5.
(Arte).
series: Arte
ISBN: 88-366-3680-2 - EAN13: 9788836636808
Subject: Collections,Essays (Art or Architecture),Painting,Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 1.18 kg
To these ends, geometry and figuration are intermingled;
shapes are shifted, geometry bends around itself, patterns emerge, while figuration refers to bodies in space-bodies which come forward and recede-as well as to numbers and their temporal register, to the number, for example, of seconds in a day.
Time is also one of the subjects at hand. All of these works have been hand-painted, in some cases wet-into-wet, having to be completed in a single session. The brushstroke itself, amplified and performing to the scale and volume of the picture plane, has duration.
Whether revealing their contents gradually or seemingly in an instant, an element of time exists between the image and its reception, between the viewer and the work.
The works in this book, even the most abstract in appearance, perhaps these most of all, can be seen to represent the act of looking, on the parts of both the artist and the viewer.









