L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 56.00)
Altamont 1969
Bill Owens
Damiani
Bologna, 2019; bound, pp. 96, 59 col. ill., cm 24,5x28.
(Fotografia).
series: Fotografia
ISBN: 88-6208-635-0 - EAN13: 9788862086356
Subject: Collections,Photography
Languages:
Weight: 0.79 kg
This was during the period of protest movements in San Francisco. Bill Owens captured the young generation's desire to stand up and raise their voice against the war in Vietnam, against segregation and racial discrimination, against authority in general. Slogans and billboards, sit-ins and demonstrations, are evidence of the cultural agitation of those years. Together with the Stones, other major rock bands appeared on stage, including Grace Slick, Jefferson Airplane, Carlos Santana and many others, while the Hells Angels were employed as security.









