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DEAL OF THE DAY

De Nittis e la rivoluzione dello sguardo.

Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.

cover price: € 48.00

De Nittis e la rivoluzione dello sguardo.

Total price: € 48.00 € 120.00 add to cart carrello

Books included in the offer:

De Nittis e la rivoluzione dello sguardo.

Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.

FREE (cover price: € 48.00)

De Nittis e la rivoluzione dello sguardo.

De Nittis. Peppino e il ventaglio magico

Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).

FREE (cover price: € 14.00)

De Nittis. Peppino e il ventaglio magico

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Firenze capitale (1865-2015). I doni e le collezioni del Re

Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.

FREE (cover price: € 30.00)

Firenze capitale (1865-2015). I doni e le collezioni del Re

chiudi

Bernhard Rüdiger. Forty-Nine Exhibitions

Mousse Publishing

English and French Text.
Milano, 2022; bound, pp. 560, col. ill., cm 23,5x16.

ISBN: 88-6749-488-0 - EAN13: 9788867494880

Subject: Essays (Art or Architecture)

Period: 1960- Contemporary Period

Languages:  english, french text   english, french text  

Weight: 0 kg


Forty-Nine Exhibitions survey Bernhard Rüdiger's work over thirty-five years, organized in reverse chronological order: each exhibition is followed by the one that precedes it. This project is related to the artist's conception of time, which, in his view, is always open. Many artworks reappear at different times, in various associations and contexts; each work responds to another as a source that produces the next yet creates distance with those that came before it.

Texts and interviews with the artist accompany this complete catalog at different periods, published in their original language and translated into French and English.

The introductory essay to Forty-Nine Exhibitions was written by François Aubart in the preparatory stages of Rüdiger's monographic exhibition, Chambre double, at Les Tanneries - Centre d'art contemporain in Amilly in 2021. It throws light on the way Rüdiger was influenced by the discovery-in Milan during the 1980s- of Luciano Fabro's teaching and Lucio Fontana's spatial work, and on his investment in a collective with intense collaborations, and analyzes the way those attitudes infused the multiple forms of his work.

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