Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Bernhard Rüdiger. Forty-Nine Exhibitions
Bernhard Rüdiger
Mousse Publishing
English and French Text.
Milano, 2022; bound, pp. 560, col. ill., cm 23,5x16.
ISBN: 88-6749-488-0 - EAN13: 9788867494880
Subject: Essays (Art or Architecture)
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
Texts and interviews with the artist accompany this complete catalog at different periods, published in their original language and translated into French and English.
The introductory essay to Forty-Nine Exhibitions was written by François Aubart in the preparatory stages of Rüdiger's monographic exhibition, Chambre double, at Les Tanneries - Centre d'art contemporain in Amilly in 2021. It throws light on the way Rüdiger was influenced by the discovery-in Milan during the 1980s- of Luciano Fabro's teaching and Lucio Fontana's spatial work, and on his investment in a collective with intense collaborations, and analyzes the way those attitudes infused the multiple forms of his work.










