De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
|
Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Bernhard Rüdiger. Forty-Nine Exhibitions
Bernhard Rüdiger
Mousse Publishing
English and French Text.
Milano, 2022; bound, pp. 560, col. ill., cm 23,5x16.
ISBN: 88-6749-488-0 - EAN13: 9788867494880
Subject: Essays (Art or Architecture)
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
Texts and interviews with the artist accompany this complete catalog at different periods, published in their original language and translated into French and English.
The introductory essay to Forty-Nine Exhibitions was written by François Aubart in the preparatory stages of Rüdiger's monographic exhibition, Chambre double, at Les Tanneries - Centre d'art contemporain in Amilly in 2021. It throws light on the way Rüdiger was influenced by the discovery-in Milan during the 1980s- of Luciano Fabro's teaching and Lucio Fontana's spatial work, and on his investment in a collective with intense collaborations, and analyzes the way those attitudes infused the multiple forms of his work.










