Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Marco Fantini
Beatrice Luca
Edizioni Charta
Roma, Teatro India, August 31 - September 25, 2004.
Edited by L. Beatrice.
Italian and English Text.
Milano, 2004; paperback, pp. 124, 16 b/w ill., 174 col. ill., cm 21x27.
ISBN: 88-8158-506-5 - EAN13: 9788881585069
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts),Painting,Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 0.7 kg
Uninhibited and ironic, he knows that both Picasso and Walt Disney, just as cinema, illustrations and even photography, influenced the imaginative world of the twentieth century; he often places the Mickey Mouse figure at the center of his paintings, and consequently receives much criticism for this "insolence". Regarding this cycle of works of enigmatic charm, inspired by the Teatro India in Rome, the artist speaks thusly: "I have sought to give back to 'India' what it has given to me [...] the profound energy, the silent Gothic beauty, the calm and reassuring black of the masonry [...]. Well, I should like it if this intervention of mine within the womb of the theater could manage to jolt the imagination blocked by rational thought".
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