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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Lawrence Alma Tadema

Phaidon Press Limited

Milano, 2004; paperback, pp. 208, ill., cm 25,5x29.

ISBN: 0-7148-4358-X - EAN13: 9780714843582

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance,1800-1960 (XIX-XX) Modern Period

Places: No Place

Languages:  italian text  

Weight: 1.32 kg


Sir Lawrence Alma-Tadema (18361912) was one of the finest and most distinctive of the Victorian painters. Dutch-born, he moved to London in 1870, and became famous for his depictions of the luxury and decadence of the Roman Empire, set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean sea and sky.
In this original and penetrating study, Rosemary Barrow presents an absorbing and often amusing portrait of an exuberant personality who carved out a brilliant career for himself at the heart of Londons artistic and cultural lite. But above all she subjects the paintings to a fresh scrutiny, and reveals that Alma-Tadema, a knowledgeable student of antiquity, repeatedly used literary and archaeological allusions in his paintings to subvert their apparently innocent meaning.
Neglected after his death, Alma-Tademas paintings are once again admired for their beauty and their remarkable mastery of light, colour and texture. With its fresh and intriguing new insights into his personality and intentions, this book now provides a challenging reassessment of a major artist.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci