Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Lawrence Alma Tadema
Barrow Rosemary J.
Phaidon Press Limited
Milano, 2004; paperback, pp. 208, ill., cm 25,5x29.
ISBN: 0-7148-4358-X - EAN13: 9780714843582
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1400-1800 (XV-XVIII) Renaissance,1800-1960 (XIX-XX) Modern Period
Places: No Place
Languages:
Weight: 1.32 kg
In this original and penetrating study, Rosemary Barrow presents an absorbing and often amusing portrait of an exuberant personality who carved out a brilliant career for himself at the heart of Londons artistic and cultural lite. But above all she subjects the paintings to a fresh scrutiny, and reveals that Alma-Tadema, a knowledgeable student of antiquity, repeatedly used literary and archaeological allusions in his paintings to subvert their apparently innocent meaning.
Neglected after his death, Alma-Tademas paintings are once again admired for their beauty and their remarkable mastery of light, colour and texture. With its fresh and intriguing new insights into his personality and intentions, this book now provides a challenging reassessment of a major artist.










