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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Claudio Parmiggiani. Petrolio

Edizioni Charta

Milano, Claudia Gian Ferrari Arte Conemporanea, January 19 - March 10, 2009.
Milano, CLAUDIA GIAN FERRARI, January 19 - February 28, 2009.
Italian and English Text.
Milano, 2009; bound, pp. 80, 19 b/w and col. ill., cm 25x27,5.

ISBN: 88-8158-708-4 - EAN13: 9788881587087

Subject: DigitalArt,Essays (Art or Architecture),Photography

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.68 kg


"The image of darkness is a frequent presence, perhaps, it is one of the most insistent in my work, (...) it is like a doubt insinuated to the eye of the beholder (...). Birth and death are linked to darkness, which is the hidden place where images and ideas take shape. It is the first mirror image of men (...), the metaphor of the end, of nothingness, and nothingness is the only star." With these words, Parmiggiani explains his relationship with darkness, a symbolic constant through all his research. His works are created with a passage of fire-destructive but lively, vibrant, violent-which leaves unchangeable traces of mystery and anguish after passing. Time leaves its traces: signs of memories, remains of dust and rests of shapes are the core of a melancholic nostalgia, aware of a completeness lost forever, of which there are only vestiges.
There is something magical-like Vulcan's cavern-as well as prodigious in setting the unpredictable paths of smoke and ash through which Parmiggiani challenges destruction with memory.

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