Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Marino Marini. Visual Passions. Encounters with Masterworks of Sculpture from the Etruscans to Henry Moore
Barbara Cinelli - Fabio Fergonzi
Silvana Editoriale
Edited by Cinelli B. and Fergonzi F.
English Text.
Cinisello Balsamo, 2017; hardback, pp. 256, 190 col. ill., cm 24,5x28,5.
(Arte).
ISBN: 88-366-3785-X - EAN13: 9788836637850
Subject: Collections,Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.79 kg
The post World War II period saw his fame spread abroad and his works enter major international museums and foreign private collections. The purpose of this exhibition catalogue is to establish the visual links that connect Marini's sculpture to the work of major sculptors of the late nineteenth and twentieth-centuries (Rodin, Maillol, Despiau, Lehmbruck, Picasso, Moore).
Despite a long exhibition history and a vast bibliography, Marini has never adequately been studied in terms of the historical and stylistic context of his production. This book sets out to rectify this omission, which alone can establish Marini's proper place in the history of twentieth-century Modernism.









