Raffaello 1520-1483.
Roma, Scuderie del Quirinale, March 5 - June 2, 2020.
Edited by Faietti M. and Lafranconi M.
Milano, 2020; paperback, pp. 544, 400 col. ill., cm 22x28.
(Cataloghi di Arte Antica).
cover price: € 46.00
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Books included in the offer:
Raffaello 1520-1483.
Roma, Scuderie del Quirinale, March 5 - June 2, 2020.
Edited by Faietti M. and Lafranconi M.
Milano, 2020; paperback, pp. 544, 400 col. ill., cm 22x28.
(Cataloghi di Arte Antica).
FREE (cover price: € 46.00)
Da Raffaello a Goya... da Van Gogh a Picasso. 50 dipinti dal Museu de Arte di San Paolo del Brasile
Trento, Palazzo delle Albere, September 18 - November 15, 1987.
Edited by Camesasca E.
Milano, 1987; paperback, pp. 240, b/w and col. ill., tavv., cm 23x27.
(Grandi Mostre).
FREE (cover price: € 25.00)
Alla mensa del Signore. Capolavori della pittura europea da Raffaello a Tiepolo
Edited by Giovanni Morello.
Torino, 2011; paperback, pp. 256, b/w ill., 111 col. plates, cm 24x28.
FREE (cover price: € 35.00)
Raffaello
Milano, 1990; paperback, pp. 118, col. ill., col. plates, cm 23x27.
(Grandi Tascabili Economici. 0009.).
FREE (cover price: € 15.00)
Miseria e nobiltà. Gaetano Costa, la cucina dei contrasti
Milano, 2013; paperback, pp. 128, ill., cm 15x19.
(Chef!).
FREE (cover price: € 12.90)
La cucina vip. Alessandro Circiello, le ricette per le star
Milano, 2013; paperback, pp. 128, ill., cm 15x19.
(Chef!).
FREE (cover price: € 12.90)
Seicento Fiorentino. Sacred and Profane Allegories. [Ed. Italiana e Inglese]
Baldassari Francesca
Centro Di
Edited by Baldassari F.
New York, Moretti Fine Art, 1-25 May 2012.
London, Moretti Fine Art, 20 june - 30 july, 2012.
Italian and English Text.
Firenze, 2012; paperback, pp. 174, col. ill., cm 24x28.
(Moretti).
series: Moretti
ISBN: 88-7038-504-3 - EAN13: 9788870385045
Subject: Collections,Essays (Art or Architecture),Painting
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 1.52 kg
Madonna and Child with the Infant St John the Baptist by Lorenzo Lippi (Florence, 1606-1656) portrays the Virgin seated with the Christ Child on her lap, reaching out to the cross held by the infant St John. Lippi trained in the early 1620s in the workshop of Matteo Rosselli. As Rosselli's most faithful pupil, he assisted the master for over a decade, imitating his vividly pictorial style until the 1640s when he sought inspiration elsewhere. This work, dating from the early 1630s, demonstrates Lippi's clear preference for religious themes in the early part of his career. The narrative character of the scene and the soft rendering of the draperies reflect the style of his teacher while showing his pictorial grasp of reality and naturalism. The sacredness of the iconography, expressed by the large haloes over the heads of the Madonna and St John, does not prevent the painter from emphasising the group's affectionate and human character. Lippi's reputation is undoubtedly destined to grow. Documents confirm that, by around 1655, Lippi was considered among the greatest of living Florentine painters and yet with the passing years his star has rather waned. However, paintings attributed to him that have recently come to light only serve to underline his talent.