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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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The World in a Bead. The Murano Glass Museum's Collection

Antiga Edizioni

English Text.
Cornuda, 2017; paperback, pp. 376, 1200 col. ill., cm 23x28.

Other editions available: Edizione Italiana (ISBN: 88-99657-60-2)

ISBN: 88-99657-90-4 - EAN13: 9788899657901

Subject: Collections,Decorative Arts (Ceramics, Porcelain, Majolica),Glass

Period: 1960- Contemporary Period

Places: Italy,Venetian,Venice

Languages:  english text  

Weight: 0.79 kg


An exciting incursion into the Murano Museum's glass bead collection, documented by over a thousand images that transmit the very material essence of every single bead, wowing and intriguing the visitor page after page. After almost a century of oblivion, the collection is the subject of new analysis as it prepares to go on display again in the museum's new halls.
The collection was put together between 1861 and 1883 by Abbot Vincenzo Zanetti and is representative of 19th century Venetian and Murano production. In the 1930s the collection was removed from the museum's showcases and consigned to a warehouse where information on the attributes of the individual beads and sample cards was lost.
This book is the result of a meticulous and passionate research project whose starting point was essays on the Museum's collections written by Abbot Zanetti for International Exhibitions or to document the discoveries that leading glassmakers had developed in the first half of the 1800s. It reconstructs the attributes and provenance of each bunch of beads and every sample card, restoring their original splendour.
The Murano Glass Museum's glass bead collection now consists of 85 sample cards; three cloth panels dating back to 1863, a gift from the Societa delle Fabbriche Unite company (containing 2015 glass beads and 266 bunches of conterie); 91 bunches of lamp beads, some complete, some not; a few thousand loose glass beads; 492 bunches of conterie and a few objects decorated with beads - gifts from the most important Venetian and Murano glasswork factories active in the mid 1800s.

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