Raffaello 1520-1483.
Roma, Scuderie del Quirinale, March 5 - June 2, 2020.
Edited by Faietti M. and Lafranconi M.
Milano, 2020; paperback, pp. 544, 400 col. ill., cm 22x28.
(Cataloghi di Arte Antica).
cover price: € 46.00
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Books included in the offer:
Raffaello 1520-1483.
Roma, Scuderie del Quirinale, March 5 - June 2, 2020.
Edited by Faietti M. and Lafranconi M.
Milano, 2020; paperback, pp. 544, 400 col. ill., cm 22x28.
(Cataloghi di Arte Antica).
FREE (cover price: € 46.00)
Da Raffaello a Goya... da Van Gogh a Picasso. 50 dipinti dal Museu de Arte di San Paolo del Brasile
Trento, Palazzo delle Albere, September 18 - November 15, 1987.
Edited by Camesasca E.
Milano, 1987; paperback, pp. 240, b/w and col. ill., tavv., cm 23x27.
(Grandi Mostre).
FREE (cover price: € 25.00)
Alla mensa del Signore. Capolavori della pittura europea da Raffaello a Tiepolo
Edited by Giovanni Morello.
Torino, 2011; paperback, pp. 256, b/w ill., 111 col. plates, cm 24x28.
FREE (cover price: € 35.00)
Raffaello
Milano, 1990; paperback, pp. 118, col. ill., col. plates, cm 23x27.
(Grandi Tascabili Economici. 0009.).
FREE (cover price: € 15.00)
Miseria e nobiltà. Gaetano Costa, la cucina dei contrasti
Milano, 2013; paperback, pp. 128, ill., cm 15x19.
(Chef!).
FREE (cover price: € 12.90)
La cucina vip. Alessandro Circiello, le ricette per le star
Milano, 2013; paperback, pp. 128, ill., cm 15x19.
(Chef!).
FREE (cover price: € 12.90)
Giuseppe Terragni. His War, his End.
Attilio Terragni - Valerio Paolo Mosco
Forma Edizioni
English Text.
Firenze, 2020; paperback, pp. 168, 50 b/w ill., cm 16,5x24.
Other editions available: Edizione italiana 88-5521-050
ISBN: 88-5521-052-1 - EAN13: 9788855210522
Subject: Architects and their Practices
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.38 kg
Called up for military service in 1939, in the spring of 1941 he left first for Yugoslavia and then for the Russian Campaign. The war did not affect his research: he sought in the vastness of the steppe new expressive possibilities, a new spiritual sense for his abstractionism. He returns from the front in precarious mental conditions and undermined by guilt, but also "spiritualized". And just a few days before his death, he draws as an epitaph addressed to the future his latest project: a plan for a Cathedral. An amazing project for its mystical influence that heralded a period of architecture that was never to occur because of the disappearance of one of its most talented exponents.
The events described in this book resemble those of a Greek tragedy, in the battle between an individual and destiny, a conflict in which inevitably, the individual must succumb. But the hero crushed by a destiny moved by blind forces, is granted a consolatory way out: the transfiguration of what Nietzsche called the "great pain" in form, in a work of art.