Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
cover price: € 150.00
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Books included in the offer:
Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
FREE (cover price: € 150.00)
Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli
Edited by Emanuele Barletti.
Photographs by BACHerin Paolo and Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; bound, pp. 844, b/w and col. ill., tavv., cm 24x28,5.
FREE (cover price: € 98.00)
Vincenzo Meucci
Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; hardback, pp. 304, col. ill., cm 25x29,5.
(Arte).
FREE (cover price: € 50.00)
Gherardo Bosio. Opera Completa 1927-1941
Firenze, 2016; paperback, pp. 368, b/w and col. ill., cm 23x28.
(Architetti del Novecento. Storia e archivi).
FREE (cover price: € 60.00)
L'Apollo-Helios di Civitavecchia e il colosso di Rodi. The Apollo-Helios of Civitavecchia and the colossus of Rhodes
Anniboletti Lara
C&P Adver Effigi
Italian and English Text.
Arcidosso, 2024; paperback, pp. 100, col. ill., cm 23x23.
(Antiqua res).
series: Antiqua res
EAN13: 9791280731562
Subject: 0-1000 (0-XI) Ancient World,Essays on Ancient Times
Period: 0-1000 (0-XI) Ancient World
Languages:
Weight: 0.44 kg
The statue dedicated to the sun-god Helios, who later became merged with Apollo, was commissioned from Chares of Lindos, the pupil of the famous Lysippos, Alexander the Great's favourite sculptor.
Showing extraordinary skill as a sculptor, Chares succeeded in imbuing his creation with the dynamism and energy of a city that had only just managed to liberate itself from a dire enemy, a city that now held aloft the beacon of victory to the sun.
The Colossus, whose base stood on one of the moles of the port, collapsed after around 60 years, owing to an earthquake. Despite its great fame, this deprived us of its real iconography: no statue is preserved. The most complete surviving copy of the statue was found among the remains of the maritime villa at Santa Marinella, on the coast north of Rome.
The elegance and lightness of this masterpiece of ancient art, held at the National Archaeological Museum of Civitavecchia, convey a deep emotion, then as now. Also on view at the National Archaeological Museum of Civitavecchia is a copy of the Athena Parthenos, a 5th century BC masterpiece by the Athenian artist Phidias A brief guide to the current museum display make this a volume packed with useful information.










