Nicola Grassi (1682-1748)
Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.
prezzo di copertina: € 90.00
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Libri compresi nell'offerta:
Nicola Grassi (1682-1748)
Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.
OMAGGIO (prezzo di copertina: € 90.00)
Carlo Dolci. Complete Catalogue of the Paintings
Testo Inglese.
Firenze, 2015; br., pp. 392, 100 ill. b/n, 186 ill. col., cm 24,5x28,5.
OMAGGIO (prezzo di copertina: € 150.00)
The Gallant Apparel. Italian Art and the Modern. Remo Bianco, Alighiero Boetti, Agostino Bonalumi, Enrico Castellani, Dadamaino, Gino De Dominicis, Lucio Fontana, Piero Manzoni, Mario Merz, Giulio Paolini, Paolo Scheggi, Ettore Spalletti
Robilant+Voena
London, Robilant+Voena, 27 settembre - 27 ottobre 2010.
Testo Inglese.
Milano, 2010; cartonato, pp. 63, tavv. col., cm 24,5x29,5.
ISBN: 0-9563650-1-9 - EAN13: 9780956365019
Soggetto: Design,Pittura,Saggi (Arte o Architettura)
Periodo: 1960- Contemporaneo
Testo in:
Peso: 0.64 kg
We hope that this survey will guide the viewer through the peculiarity of the language of Italian post-war art, which carries the conviction that it is truly the 'form of the language' that gives form to the world. The exhibition will explore the fascination with surface, texture and thee-dimensionality in painting prevalent amongst many of these artists, whether it be through Fontana's revolutionary Buchi or Tagli (holes or slashes), or through Castellani and Bonalumi's protrusions, the overlaid constructions of Scheggi and Bianco, or the cut canvases of Dadamaino.
Special attention will be given to Fontana, represented by six important paintings and sculptures, as the catalyst for the most significant debate in midcentury Italian art and a vital inspiration for those who followed him. Three artists for whom Fontana's influence was paramount were Manzoni, Bonalumi and Castellani, who in turn created their own platform (Gallery Azimut) for showing art which interrogated the limits of physicality and the art world's obsession with permanence, directly prefiguring conceptual art. Paolini's conceptual research into art as mirroring or selfreflection, will also be addressed, as will De Dominici's 'figurative conceptualism'. Mario Merz will be represented by a rare 11 piece photography and light installation not seen in public since Documeta 5, 1972.
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