Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
The Gallant Apparel. Italian Art and the Modern. Remo Bianco, Alighiero Boetti, Agostino Bonalumi, Enrico Castellani, Dadamaino, Gino De Dominicis, Lucio Fontana, Piero Manzoni, Mario Merz, Giulio Paolini, Paolo Scheggi, Ettore Spalletti
Robilant+Voena
London, Robilant+Voena, September 27 - October 27, 2010.
English Text.
Milano, 2010; hardback, pp. 63, col. plates, cm 24,5x29,5.
ISBN: 0-9563650-1-9 - EAN13: 9780956365019
Subject: Design,Essays (Art or Architecture),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 0.64 kg
We hope that this survey will guide the viewer through the peculiarity of the language of Italian post-war art, which carries the conviction that it is truly the 'form of the language' that gives form to the world. The exhibition will explore the fascination with surface, texture and thee-dimensionality in painting prevalent amongst many of these artists, whether it be through Fontana's revolutionary Buchi or Tagli (holes or slashes), or through Castellani and Bonalumi's protrusions, the overlaid constructions of Scheggi and Bianco, or the cut canvases of Dadamaino.
Special attention will be given to Fontana, represented by six important paintings and sculptures, as the catalyst for the most significant debate in midcentury Italian art and a vital inspiration for those who followed him. Three artists for whom Fontana's influence was paramount were Manzoni, Bonalumi and Castellani, who in turn created their own platform (Gallery Azimut) for showing art which interrogated the limits of physicality and the art world's obsession with permanence, directly prefiguring conceptual art. Paolini's conceptual research into art as mirroring or selfreflection, will also be addressed, as will De Dominici's 'figurative conceptualism'. Mario Merz will be represented by a rare 11 piece photography and light installation not seen in public since Documeta 5, 1972.
Marcello Piacentini. Maestro di Edilizia cittadina e di Disegno urbano