Nicola Grassi (1682-1748)
Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.
prezzo di copertina: € 90.00
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Nicola Grassi (1682-1748)
Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.
OMAGGIO (prezzo di copertina: € 90.00)
Carlo Dolci. Complete Catalogue of the Paintings
Testo Inglese.
Firenze, 2015; br., pp. 392, 100 ill. b/n, 186 ill. col., cm 24,5x28,5.
OMAGGIO (prezzo di copertina: € 150.00)
The Face of the Dead and the Early Christian World
Libreria Editrice Viella
A cura di Foletti I.
Testo Inglese.
Roma, 2013; br., pp. 192, ill. b/n, cm 17x24.
(I Libri di Viella. Arte).
collana: I Libri di Viella. Arte
ISBN: 88-8334-994-6 - EAN13: 9788883349942
Soggetto: Architettura e Arte Religiosa,Pittura,Saggi (Arte o Architettura),Saggi e Studi sull'antichità
Periodo: 0-1000 (0-XI) Antico,1000-1400 (XII-XIV) Medioevo
Extra: Religione e Arte Religiosa
Testo in:
Peso: 0.54 kg
The first part of this book looks into the portrait and its function, and the reason for which Late Antiquity, following a custom it inherited from previous eras, covered itself with individual images of the deceased. As in previous eras, the portrait appears, above all, to be an attempt to express the individual in his or her entirety; the techniques and "instruments" perfected in the course of the the 3rd century, however, lead to divergent formal and conceptual results.
The second question, answered more briefly, deals with the perception and representation of the dead body as a whole, defined by David Le Breton as "la souche identitaire de l'homme." The question asked is a fundamental one, since we are confronted with humanity itself after its passage to that which lies beyond: does the body become just a memory or does it preserve the real presence of the person who once existed?
Saluti da... Vallombrosa e Saltino attraverso le cartoline d'epoca
Il Ratto di Proserpina di Nicolas Mignard ed Altri Dipinti Antichi