Nicola Grassi (1682-1748)
Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.
prezzo di copertina: € 90.00
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Libri compresi nell'offerta:
Nicola Grassi (1682-1748)
Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.
OMAGGIO (prezzo di copertina: € 90.00)
Carlo Dolci. Complete Catalogue of the Paintings
Testo Inglese.
Firenze, 2015; br., pp. 392, 100 ill. b/n, 186 ill. col., cm 24,5x28,5.
OMAGGIO (prezzo di copertina: € 150.00)
Foppa, Zenale and Luini. Lombard Painters before and after Leonardo
Robilant+Voena
London, Robilant + Voena., 20 giugno - 17 agosto 2012.
London, Robilant + Voena, 20 giugno - 17 agosto 2012.
Testo Inglese.
Milano, 2012; cartonato, pp. 104, ill. b/n e col., tavv., cm 24x31.
Edit by Mauro Natale.
Soggetto: Pittura
Periodo: 1400-1800 (XV-XVIII) Rinascimento
Luoghi: Lombardia
Testo in:
Peso: 0.68 kg
This fascinating collection of museum quality works, of deep academic and aesthetic importance, was started in the 1980s by Serafino Trabaldo Togna (1922-2006), the driving force of PKB Bank, whose family originated from the geographic area of interest. It was his very concerted effort to concentrate on the Renaissance output from north-western Italy that defined the focus of the collection from its inception, and which has been followed to the present day by Massimo and Umberto Trabaldo Togna (sons of Serafino) and the PKB Board.
Today the collection numbers some twenty six works, from which Robilant+Voena will present a selection of twelve. Following on from the hugely successful exhibition at the National Gallery last year devoted to Leonardo, the exhibition at R+V will offer collectors and scholars a unique chance to delve into the artistic developments in Milan in the decades from ca. 1470 to 1530. Leonardo himself spent two significant sojourns at the court of Ludovico Sforza il Moro during that period - first from 1482 to 1499 and again, after the fall of the Sforza family, from 1508 to 1513. This exhibition will examine the Milan he found, as well as the influence he had in changing its future artistic output.
The earliest painting of the exhibition is a very rare St Peter by Vincenzo Foppa, a panel datable to the 1460s, when Foppa arrived in Milan to paint the chapel in Sant'Eustorgio for Tomaso Portinari. Two spectacular panels by Bergognone, an Ecce Homo and a Madonna and Child mark the turn of the century and bear an oblique reference to Leonardo's presence, while in the celebrated Circumcision by Zenale of ca.1520, which was in fact the first purchase made for the collection, we witness the very significant influence of the Leonardesque models. Two important works represent Leonardo's direct pupils in Milan: the Madonna with Child and a Saint by Andrea Solario, clearly indebted to the model of the Madonna Litta (St. Petersburg, Hermitage) of Leonardo, and the St. Jerome by Bernardino Luini where a lush landscape of woods, waters and stones is reminiscent of the fantastic landscapes of Leonardo's drawings.
Manuale del saldo e stralcio. NPL e acquisto crediti incagliati immobiliari
Sistema e Antisistema: Croce critico, filologo ed editore militante
Bartolomé Bermejo. Il trittico della Cattedrale di Acqui Terme
Storie di vita e aneddoti in fabbrica. Il filo di vetro racconta
Le note del colore. Nuovi dipinti antichi. [Ed. Italiana e Inglese]
Un battito d'ali. Ritrovamenti e conferme. [Ed. Italiana e Inglese]