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OFFERTA DEL GIORNO

Nicola Grassi (1682-1748)

Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.

prezzo di copertina: € 90.00

Nicola Grassi (1682-1748)

Costo totale: € 90.00 € 240.00 aggiungi al carrello carrello

Libri compresi nell'offerta:

Nicola Grassi (1682-1748)

Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.

OMAGGIO (prezzo di copertina: € 90.00)

Nicola Grassi (1682-1748)

Carlo Dolci. Complete Catalogue of the Paintings

Testo Inglese.
Firenze, 2015; br., pp. 392, 100 ill. b/n, 186 ill. col., cm 24,5x28,5.

OMAGGIO (prezzo di copertina: € 150.00)

Carlo Dolci. Complete Catalogue of the Paintings

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The Imaginary Orient. Exotic Buildings of the 18th and 19th Centuries in Europe

Edition Axel Menges GMBH

Testo Inglese.
Fellbach, 2014; ril. in tela, pp. 192, 280 ill. col., cm 24x29.

ISBN: 3-936681-77-5 - EAN13: 9783936681772

Soggetto: Architettura e Arte Civile,Architettura e Arte Religiosa

Periodo: 1400-1800 (XV-XVIII) Rinascimento,1800-1960 (XIX-XX) Moderno

Luoghi: Extra Europa

Testo in: testo in  inglese  

Peso: 1.07 kg


In the eighteenth century the idea of the landscape garden spread all over Europe. At the same time the garden became the land of illusion: Chinese pagodas, Egyptian tombs and Turkish mosques, along with Gothic stables and Greek and Roman temples, formed a miniature world in which distance mingled with the past. The keen interest in a fairy-tale Orient was manifested also in architecture.

This "Orient", which could hardly be clearly defined geographically, was characterized by Islamic culture. The Islamic styles seemed especially appropriate for buildings of a secular and cheerful character. The promise of happiness associated with an Orient staged by architectural means was intended to guarantee the commercial success of coffee houses and music halls, amusement parks and steam baths. But even extravagant summer residences and middle-class villas were built in faux-Oriental styles.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci