Felice Palma. Massa 1583-1625. Collezione / Collection.
Testi di Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio e Sara Ragni.
Testo Italiano e Inglese.
Pontedera, 2024; ril. in cofanetto, pp. 289, ill. b/n e col., tavv. b/n e col., cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
prezzo di copertina: € 160.00
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Libri compresi nell'offerta:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Testi di Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio e Sara Ragni.
Testo Italiano e Inglese.
Pontedera, 2024; ril. in cofanetto, pp. 289, ill. b/n e col., tavv. b/n e col., cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
OMAGGIO (prezzo di copertina: € 160.00)
Le botteghe del marmo
Testo Italiano e Inglese.
Ospedaletto, 1992; ril., pp. 153, 10 ill. b/n, 60 ill. col., cm 24x29.
(Immagine).
OMAGGIO (prezzo di copertina: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
A cura di Nesi A.
Firenze, 2009; br., pp. 191, 102 ill. b/n, 7 ill. col., cm 17x24,5.
(Museo Stefano Bardini).
OMAGGIO (prezzo di copertina: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 voll., ril. in cofanetto, pp. 729, ill., tavv. col., cm 21,5x30,5.
OMAGGIO (prezzo di copertina: € 90.00)
Robert Indiana: an American icon
Phaidon Press Limited
Introduzione di S. E. E. Salama-Caro.
Testo Inglese.
London, 2026; ril., pp. 400, ill. col., cm 25x29.
ISBN: 1-83729-055-5 - EAN13: 9781837290550
Soggetto: Scultura,Scultura e Arti Decorative - Monografie
Periodo: 1800-1960 (XIX-XX) Moderno,1960- Contemporaneo
Testo in:
Peso: 1.92 kg
Robert Indiana: An American Icon is a comprehensive survey of his life and career. Created in close collaboration with The Robert Indiana Legacy Initiative, this landmark volume invites readers to rediscover Indiana through more than 450 career-spanning images of his paintings, sculpture, and works on paper, along with rare archival materials and a facsimile of Indiana's handwritten journals with sketches.
A foreword by Simon Salama-Caro, a longtime steward of Indiana's work, provides personal reflections on the artist. A revelatory suite of essays by three leading art historians offers insights into his work and legacy. Prudence Peiffer focuses on Indiana's investigation of American identity and his innovative use of language in art. Richard Meyer's text delves into codification and layering in the work of Indiana, examining what the inclusion of language allowed him, as a gay artist, to express, and the ambiguous ways it echoes the encoded knowledge and necessary indirection of queerness in the mid-century. Robert Pincus-Witten's historic essay explores how Indiana transcended categories such as Pop art and assemblage, while examining his time on New York's Coenties Slip, a creative hub for artists such as Agnes Martin, Ellsworth Kelly, and Jack Youngerman. Also featuring an example of the artist's own writing alongside two historic interviews, this book offers a chance to hear directly from a celebrated artist whose influence still resonates today.
This monograph traces Indiana's journey from his years in Coenties Slip - where he forged a visual language - through to the decades he spent on the island of Vinalhaven, Maine, producing some of his most introspective work. While Indiana is widely known for his Love image, created in 1964, this book uncovers the deeper dimensions of his practice, revealing an artist whose work challenged the idealized image of the American Dream.
Meticulously produced, the book includes previously unpublished materials, offering a fuller understanding of Indiana's legacy. With color plates of career-spanning work, an insert facsimile of the artist's handwritten journals, a sweeping illustrated chronology, and expansive gatefolds, Robert Indiana: An American Icon is a reintroduction to a vital American voice, seen in full.
Luoghi Magici di Bologna. Vol. 1: la Piazza e i Suoi Simboli Segreti
I monumenti funerari del Lazio antico. Con cartella con tavole
Abiti di Roma, trame di Sicilia. La moda nei mosaici di Piazza Armerina










