Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII
Presentazione di Erich Schleier.
San Casciano V.P., 2013; br., cm 21x28.
prezzo di copertina: € 77.00
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Libri compresi nell'offerta:
Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII
Presentazione di Erich Schleier.
San Casciano V.P., 2013; br., cm 21x28.
OMAGGIO (prezzo di copertina: € 77.00)
Pinacoteca Vaticana. Nella pittura l'espressione del messaggio divino, nella luce la radice della creazione pittorica
Milano, 1992; ril., pp. 471, ill. col., tavv. col., cm 33x30,5.
OMAGGIO (prezzo di copertina: € 50.00)
The Noguchi museum. A portrait
Stephen Shore - Tina Barney
Phaidon Press Limited
London, 2015; ril., pp. 136, ill. col., cm 24,5x32.
(Arte).
collana: Arte
ISBN: 0-7148-7028-5 - EAN13: 9780714870281
Soggetto: Fotografia,Saggi (Arte o Architettura)
Periodo: 1960- Contemporaneo
Luoghi: Extra Europa
Extra: Arte Americana
Testo in:
Peso: 0.79 kg
The Noguchi Museum provides a unique perspective on the artwork of Isamu Noguchi and its setting in the Noguchi Museum through the eyes of renowned photographers Stephen Shore and Tina Barney. Noguchi, a modernist sculptor and designer, founded and designed the museum for the specific purpose of exhibiting his works. The 1920s-era industrial space in Long Island City, Queens, thus became the first and only museum in the US to be designed by a living artist for the artist's own work.
Shore has photographed individual works on view at the museum, documenting them in new and surprising ways; and Barney has photographed visitors at the museum and its events, capturing something of the spatial experience of the museum. These new photographs comprise a beautiful object that pays tribute to the museum and artwork while highlighting the skill and eye of these two photographers.
This is the only book that focuses on the unique dynamic between the museum's artworks, architecture, and visitors and the museum celebrates its 30th anniversary in 2015, coinciding with publication.
The book includes a foreword by the museum director, Jenny Dixon, and a selection of archival images documenting the transformation of the museum-many published here for the first time.
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