Felice Palma. Massa 1583-1625. Collezione / Collection.
Testi di Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio e Sara Ragni.
Testo Italiano e Inglese.
Pontedera, 2024; ril. in cofanetto, pp. 289, ill. b/n e col., tavv. b/n e col., cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
prezzo di copertina: € 160.00
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Libri compresi nell'offerta:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Testi di Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio e Sara Ragni.
Testo Italiano e Inglese.
Pontedera, 2024; ril. in cofanetto, pp. 289, ill. b/n e col., tavv. b/n e col., cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
OMAGGIO (prezzo di copertina: € 160.00)
Le botteghe del marmo
Testo Italiano e Inglese.
Ospedaletto, 1992; ril., pp. 153, 10 ill. b/n, 60 ill. col., cm 24x29.
(Immagine).
OMAGGIO (prezzo di copertina: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
A cura di Nesi A.
Firenze, 2009; br., pp. 191, 102 ill. b/n, 7 ill. col., cm 17x24,5.
(Museo Stefano Bardini).
OMAGGIO (prezzo di copertina: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 voll., ril. in cofanetto, pp. 729, ill., tavv. col., cm 21,5x30,5.
OMAGGIO (prezzo di copertina: € 90.00)
Think of Scotland
Martin Parr
Damiani
Bologna, 2017; br., pp. 144, cm 24x32.
ISBN: 88-6208-549-4 - EAN13: 9788862085496
Soggetto: Collezioni,Fotografia
Periodo: 1960- Contemporaneo
Testo in:
Peso: 1.24 kg
Though Parr is a prolific creator of photobooks, his archive of Scottish images has remained largely unpublished; in fact, his Scottish photographs represent his largest unpublished body of work to date. Martin Parr: Think of Scotland collects these images together for the first time on the occasion of his solo exhibition at the newly reopened Aberdeen Art Gallery. In Think of Scotland, readers can find the expected visual iconography of Scotland?the Highland Games, the stunning landscapes, the bagpipers?but all given that unique Parr twist that transforms the expected and the banal into something outlandish and unfamiliar.
British photojournalist and collector Martin Parr (born 1952) knew he wanted to become a documentary photographer from the time he was 14 years old. His interest in photography was piqued by his grandfather, who was also a photographer. Parr studied photography at Manchester Polytechnic from 1970 to 1973 and began his career as a professional photographer in the mid-1970s, becoming a full member of the Magnum Photographic Cooperative in 1994.










