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OFFERTA DEL GIORNO

Nicola Grassi (1682-1748)

Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.

prezzo di copertina: € 90.00

Nicola Grassi (1682-1748)

Costo totale: € 90.00 € 240.00 aggiungi al carrello carrello

Libri compresi nell'offerta:

Nicola Grassi (1682-1748)

Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.

OMAGGIO (prezzo di copertina: € 90.00)

Nicola Grassi (1682-1748)

Carlo Dolci. Complete Catalogue of the Paintings

Testo Inglese.
Firenze, 2015; br., pp. 392, 100 ill. b/n, 186 ill. col., cm 24,5x28,5.

OMAGGIO (prezzo di copertina: € 150.00)

Carlo Dolci. Complete Catalogue of the Paintings

chiudi

Giandomenico Tiepolo (1727-1804). Ten Fantasy Portraits

Fundación Juan March

Madrid, Fundación Juan March, February 1 -March 4, 2012.
Testo Inglese.
Madrid, 2012; br., pp. 63, ill., cm 17x23.

Altre edizioni disponibili: Spanish edition 84-7075-594-3

ISBN: 84-7075-595-1 - EAN13: 9788470755958

Soggetto: Pittura

Testo in: testo in  inglese  

Peso: 0.2 kg


With the aim of offering, together with our larger exhibitions dedicated to specific artists and movements, select smaller-scale shows, the Fundación Juan March presents Giandomenico Tiepolo (1727-1804). Giandomenico was the brother of Lorenzo Tiepolo, and both were the sons of Giambattista Tiepolo, the patriarch of their artistic dynasty-the "Tiepolo factory", in the words of Andrés Úbeda. The three artists had moved to Madrid in 1762, where their principal task was the creation of decorative frescoes on various ceilings in the Royal Palace.

These ten paintings of great beauty, all of which are from a private collection, were in all likelihood conceived of as a series, given their stylistic unity, their identical size, and the similarity in the figures' dress and poses. They represent ten heads: two old, bearded men with an eastern air; and eight beautiful young women. They can all be dated to around 1768, during the artist's Spanish period. Strictly speaking, they are not true portraits; rather, these figures, wearing different adornments and striking various poses, do not represent real individuals but generic types with the characteristic features and attributes of a certain social, economic and intellectual group. Thus, the male portraits present their models in the manner of philosophers, wise, honorable men from an imagined Antiquity, while the portraits of young women, characterized by carefree and innocent charm, would seem to reflect an ideal paradigm of feminine beauty. Both types belong to a long and fruitful tradition in Venice: a genre that conjures up a world of the imagination whose roots are to be found in the seventeenth century, a type of painting whose master par excellence was Rembrandt himself.

COMPRA ANCHE



OFFERTE E PROMOZIONI
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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci