Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
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Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
Billboards
Damiani
Roma, GALLERIA MARIA GRAZIA DEL PRETE, September 22 - November 13, 2010.
Italian and English Text.
Bologna, 2009; paperback, pp. 140, 80 b/w and col. ill., cm 20x26,5.
ISBN: 88-6208-026-3 - EAN13: 9788862080262
Subject: Collections,Photography
Period: 1960- Contemporary Period
Languages:
Weight: 0.7 kg
It is the photography of 'real' things, or what is in front of the eyes and the camera, which has nothing to do with the dimension of digital intervention.
And yet, in our contemporary age, when photography is being transformed into images, we cannot help but think that it might be a digital process of electronic cancellation. In a certain sense these empty panels recall the canvases whic Lucio Fontana chose to slash once, twice, many times, Yves Klein's monochromes, Mark Rothko's painted backgrounds, the work of Mondrian himself. There is, therefore, an abstract component in this photography which has a frankly documentary feel.
Their realist soul is conversely felt in a simple and clear way, and speaks to us plainly of these mute structures and of the landscape. The empty billboards are guides to the landscape, pretexts for looking at the landscape. Therefore, from one photograph to the next, we see blocks of flats, cars, motorbikes, street furniture, streets, walls, green spaces, snow, scattered houses, bushes, homes and factories, and all the elements which go to make up the urban fabric".