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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Bernini. Art and Theatre

Yale University Press

English Text.
London, 2012; paperback, pp. 224, 42 b/w ill., 24 col. ill., cm 19x25.

ISBN: 0-300-18706-8 - EAN13: 9780300187069

Subject: Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 1.3 kg


Gian Lorenzo Bernini (1598-1680) is celebrated as a sculptor, architect and painter, but it is less known that he also was a playwright, scenographer, actor and director. In the Baroque period opera and ballet became increasingly popular, as did elaborate scenographic technologies for court and religious theatre. Bernini drew from this lexicon of theatrical effects, deploying light, movement and the porous boundary between fictive and physical space to forge a language of Baroque illusion for both his scenographies and his sculptural ensembles.
Bernini: Art and Theatre explores the different types of cultural space for the staging of his art, from court settings to public squares and church interiors. Drawing parallels between the visual and theatre arts, and highlighting the dramatic amplification of religious art in the period, this provocative study provides a model that can be extended beyond Bernini to enable us to reconsider 17th-century visual culture as a whole.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci