Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
The Discovery of Paris. Watercolours by Early Nineteenth-Century British Artists
Duffy Stephen
Paul Holberton Publishing
Accompanying the exhibition at the Wallace Collection, London, 20 June - 15 September 2013.
English Text.
London, 2013; paperback, pp. 160, 100 col. ill., cm 24x28.
ISBN: 0-900785-42-X - EAN13: 9780900785429
Subject: Painting
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 0.74 kg
This catalogue will accompany an exciting exhibtion at the Wallace Collection of British watercolour views of Paris. Focusing on the period c. 1802-40, it will feature works by Turner, Girtin and Bonington, as well as other artists who are now perhaps less familiar, such as Thomas Shotter Boys, Francis Danby and Willam Callow. The reader will be introduced to about sixty watercolours, plus complimentary materials including prepatory drawings and associated prints. Featured works are from the British Museum, Tate Britain, the Victoria and Albert Museum, the Fitzwilliam Museum, Cambridge, and several private collections.










