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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Maurizio Savini. Forbidden World

Carlo Cambi Editore

English Text.
Poggibonsi, 1996; hardback, pp. 208, ill., cm 24,5x34.

ISBN: 88-6403-233-9 - EAN13: 9788864032337

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 1.56 kg


Talking about an artist starting from the standpoint of a colour, which defines the surface and the internal organs of his articulated visual system. Talking about Maurizio Savini through the plastic geography of the bubble gum pink, a hue that is now his protective and revelatory epidermis, the layer that has identified a linguistic code and an iconographic personality year after year.
It was not easy to consolidate a mature value with the more sugary and phenomenologically pop colour and, the most childish and womanish among the shades of colour that enliven the flat world of acrylic effect flat ranges.
But the artist has for some time acted symbiotically and controls the flames of engagement, lord of the flame and symbolic holder of a visual ingredient that completes him without limiting him (if you think about it, almost all the great painters have used the same kind of oil paints, the same brushes and canvases for an entire career, which is why I am not surprised - according to Gianluca Marziani's words - when an artist finds a revelatory material, and rather than abandon it, tunes it in with his personal evolution).

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